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Maude Adams: Mormon, Lesbian and the Broadway’s First Peter Pan

Maude Adams as Peter Pan
Image courtesy of Carol Lynn Pearson, No More Strangers. Cropped and rearranged from the original.

by Joel McDonald

When playwright J.M. Barrie needed an actress to play Peter Pan on Broadway, he turned to Maude Adams. Adams has proven herself and became a star in prior productions Barrie worked on. The choice proved an excellent one. Adams would become famous for her portrayal of the youthful and acrobatic character. She was a famed actress of her time. She helped improve technology for stage and film. She was a college acting teacher. She grew up in a Mormon family. She was a lesbian.

Maude Adams
Maude Adams

Maude Adams, her stage name, was born Maude Ewing Adams Kiskadden in 1872 in Salt Lake City, Utah. Her mother was Asaneth Ann Adams Kiskadden, also an actress, who went by the stage name of Annie Adams. She was the daughter of early Mormon converts. Her parents joined The Church of Jesus Christ of Latter-day Saints in Illinois after meeting Brigham Young. When Young moved the Church to Salt Lake City, the Adams family followed. where Maude’s mother was born soon after the difficult journey. Annie Adams enjoyed success on the stages of Salt Lake City. Maude’s theatre experience began at the age of only 2 months. Her mother carried her on stage during a production her mother was in. At nine months, Maude returned to the stage as an emergency understudy for another toddler. Maude and her mother would later move to San Francisco, California. There, her acting career began in earnest.

Adams’s father, James Henry Kiskadden, who was not a Mormon, worked in mines and banks over his lifetime. He passed away early in the life of his daughter. No records of Maude’s baptism into the Church are available. But she likely identified as a Mormon culturally. She once described her father as a “gentile” among the Mormons. It’s not clear whether she identified as Mormon or had any relationship with the Church later in life. Her original crib was once on display in the Mormon Tabernacle in Salt Lake City for many years as a tourist attraction. This may show the Church must have considered her a member or enjoyed the connection. After moving back to Salt Lake City at age 9 to live with her Mormon grandparents, she attended an Episcopal school. Later, she would take long sabbaticals at Catholic convents in Europe and the United States. However, there is no evidence of her ever having converted to Catholicism or that was a member of the Episcopal church.

Adams moved to New York City at the age of 16 where she made her Broadway debut. She signed on with legendary Broadway producer Charles Frohman who elevated her career. It was only after J.M. Barrie saw Adams in a production of Rosemary that he agreed to adapt the novel The Little Minister for Frohman to produce on stage. Until seeing Adams perform, Barrie was unwilling to adapt the novel for the stage. He did not believe there was an actress available who could play the leading female role of Lady Babbie. Adams’s performance changed his mind. The production, with Adams cast, was a tremendous success. It broke box office records. The vast majority of performances being standing room only. A film version of The Little Minister based on the novel, and Barrie’s adaption of it, would be released in 1934. It starred famed actress Katherine Hepburn. Had Adams not won over Barrie with her strong performance in Rosemary, it’s possible neither the stage or film productions of The Little Minister would have ever happened. It’s also possible that Adams would have not gone on to become Broadway’s first Peter Pan.

Peter Pan debuted on Broadway in 1905 with Maude Adams in the title role. An emergency appendectomy shortly after her being cast raised doubts whether she would be able to perform. But she went on for over 1,500 performances and earning $20,000 a month; an amount unheard of at the time. Her portrayal of the character would set the example for all performing the role of Peter Pan who followed. She even helped create the costume. Adams would often reprise the role over the decade that the first production was on Broadway.

Adams worked with Barrie in many roles throughout the early 1900s. She retired from the stage after falling ill in 1918. In the 1920s, she worked with General Electric to improve stage lighting and the Eastman Company to develop color photography. She helped invent a high-powered light bulb that made color movies possible. Her retirement from the stage was short-lived. She returned to acting in 1931 and continued until 1934. At the high point of her career, Adams made over $1 million a year. She would supplement the pay of other actors in productions she was in. In 1937, she became the head of the drama department at Stephens College in Missouri.

Maude Adams never married. Frohman, her producer, used the absence of relationships with men to create a public image of her being virtuous and innocent. It is now believed that Adams was a lesbian. She enjoyed long-term relationships with two woman over the course of her lifetime. The first being with Lillie Florence until Florence’s death in 1901. The second being an over 45-year relationship beginning in 1905 with Louise Boynton. Boynton died in 1951. When Adams passed away in 1953 in New York, four months shy of 80, she was buried next to Boynton where they share a headstone.

There doesn’t appear to be any record of Adams discussing her Mormon background. There’s also no record of her discussing her relationships with Florence or Boynton. Apart from her work on the stage, Adams was a very private person. She didn’t feel the need to open her life to anyone, including her the public who adored her. Boynton is often described by others as being Adams’s lifelong friend and secretary.

It’s likely that Adams never had to wrestle with her Mormon upbringing or sexuality. She left Utah and the influence of the Church when she was 16. It was also common that women were excluded from discussions about homosexuality. She also kept her private life out of the public eye, so her relationships were not scrutinized. These factors combined allowed her to live as she pleased; happily, I hope.

Sources

Seacoastonline.com: Historic Portsmouth: Last call for Music Hall stories

Wikipedia: Maude Adams

Wikipedia: Peter and Wendy

Wikipedia: Peter Pan Collar

Find a Grave: Maude Adams

Utah Pride Center: Queer Mormon Ancestors

Brigham Young University: Maude Adams and the Mormons

No More Strangers: What Mormon-Born, Widely-Assumed Lesbian Was the Most Loved and Richest Performer in America in the Early Nineteen Hundreds?

Clyde’s Guides and Other Stuff: Maude Adams House located in The Convent of Our Lady of the Cenacle, Ronkonkoma, LI, NY

Patch: The Local Life of Maude Adams

Additional Reading

LDSfilms.com: Maude Adams Biography

LDSfilms.com: Somewhere In Time (1980)

4 thoughts on “Maude Adams: Mormon, Lesbian and the Broadway’s First Peter Pan

  1. What a great woman! Although I would like to verify the amount she made…if she made $20,000 per month in 1905, that would equate to over half a million dollars a month, which is indeed unheard of;)

    1. The amount appears to be correct. Multiple sources indicate she made $20,000 per month while playing Peter Pan. On some tours, she even made $20,000 a week!

  2. People should not be labeled as “gay” or “not gay”. People are “gay” if they “self-identify” as gay. The record shows that MA did not self-identify as being gay. The theories and “second guessing” based on 21st Century perceptions and innuendo about her relationships with other women is all conjecture. BTW, I am an out and proud lesbian and there is no internalized homophobia driving my observation or remark.

  3. Hi Joyce, I am also an out and proud lesbian and a scholar of MA’s life and what was known as Boston Marriages. While I agree with you that we can’t employ 21st century vocabulary or ideology when discussing historical relationships, mainly because our terminology and definitions of LGBTQ relationships did not exist back then, there is considerable compelling evidence that Maude most likely participated in at least homo-emotional committed relationships, if not full fledged homosexual relationships. It’s not really a leap to say that she would be called gay (and most likely self-identify as gay) by our terms. Especially when you consider that even in our own day, a significant number of self-identified lesbians do not necessarily consider the sexual aspects of their relationships as the defining factor of their orientation.

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